The Ohioana Library is pleased to announce the finalists for the 81st annual Ohioana Book Awards. First given in 1942, the awards are the second-oldest state literary prizes in the nation and honor outstanding works by Ohio authors and illustrators in five categories: Fiction, Poetry, Juvenile Literature, Middle Grade/Young Adult Literature, and Nonfiction. The sixth category, About Ohio or an Ohioan, may also include books by non-Ohio authors.
This year’s stellar list includes a Pulitzer Prize winner, three finalists for the National Book Award, a Dayton Literary Peace Prize finalist, and winners of the Coretta Scott King Book Award, the Caldecott Medal, Newbery Honors, and the Kirkus Prize. Four finalists have had their works adapted for film and television. Eight authors are previous Ohioana Book Award winners and two are past recipients of Ohioana’s Walter Rumsey Marvin Grant for emerging writers.
Beginning June 1, Ohioana will profile all the finalists with “30 Books, 30 Days,” a special feature on our social media in which one finalist is highlighted each day. Later in June, Ohioana will launch its seventh Readers’ Choice Award poll, allowing the public to vote online for their favorite book from the finalists.
Winners will be announced in July. The 2022 Ohioana Awards ceremony will be held at the Ohio Statehouse in Columbus on Wednesday, October 26. The finalists are:
Bethea, Jesse. Fellow Travellers, Bellwether
Doerr, Anthony. Cloud Cuckoo Land, Scribner
Gornichec, Genevieve. The Witch’s Heart, Ace
Stine, Alison. Trashlands, MIRA
Walter, Laura Maylene. Body of Stars, Dutton
Abdurraqib, Hanif. A Little Devil in America: Notes in Praise of Black Performance, Random House
Butcher, Amy. Mothertrucker: Finding Joy on the Loneliest Road in America, Little A
Haygood, Wil. Colorization: One Hundred Years of Black Films in a White World , Alfred A. Knopf
Orlean, Susan. On Animals, Avid Reader Press
Schillace, Brandy. Mr. Humble & Dr. Butcher: A Monkey’s Head, the Pope’s Neuroscientist, and the Quest to Transplant the Soul, Simon & Schuster
About Ohio or an Ohioan
Abbott, Anneliese. Malabar Farm: Louis Bromfield, Friends of the Land, and the Rise of Sustainable Agriculture, The Kent State University Press
Alexander, Brian. The Hospital: Life, Death, and Dollars in a Small American Town, St. Martin’s Press
Baier, Bret, and Catherine Whitney. To Rescue the Republic: Ulysses S. Grant, the Fragile Union, and the Crisis of 1876, Custom House
Broome, Brian. Punch Me Up to the Gods: A Memoir, Mariner Books
Shesol, Jeff. Mercury Rising: John Glenn, John Kennedy, and the New Battleground of the Cold War, W.W. Norton & Company
Ahn, E. Yetunde, née Emily Spencer. East Walnut Hills, Zone 3 Press
Bracken, Conor. The Enemy of My Enemy is Me, Diode Editions
Iris, Manuel. The Parting Present / Lo que se irá, Dos Madres Press
Kim, Joey S. Body Facts, Diode Editions
Zamora, Felicia. I Always Carry My Bones, University of Iowa Press
Campbell, Marcy. Illus. by Corinna Luyken. Something Good, Little, Brown Books for Young Readers
Dawson, Keila V. Illus. by Alleanna Harris. Opening the Road: Victor Hugo Green and His Green Book, Beaming Books
Gorman, Amanda. Illus. by Loren Long. Change Sings: A Children’s Anthem, Viking Books for Young Readers
Wang, Andrea. Illus. by Jason Chin. Watercress, Neal Porter Books
Wynter, Anne. Illus. by Oge Mora. Everybody in the Red Brick Building, Balzer + Bray
Middle Grade/Young Adult Literature
Carson, Rae. Any Sign of Life, Greenwillow Books
Draper, Sharon M. Out of My Heart, Atheneum/Caitlyn Dlouhy Books
Kiely, Brendan. The Other Talk: Reckoning with Our White Privilege, Atheneum/Caitlyn Dlouhy Books
Wang, Andrea. The Many Meanings of Meilan, Kokila
Warga, Jasmine. The Shape of Thunder, Balzer + Bray
The 16th Ohioana Book Festival is coming in April
. . . and you’re invited!
The 2022 festival will be held virtually from April 29
through May 1. As we have done for the past two years, we decided to present
the festival in this format to keep everyone safe as the pandemic continues.
We’re delighted that we will still be able to share with you all the things you
love about the Ohioana Book Festival, straight to your home in a virtual format:
a fun-filled weekend featuring panel discussions, conversations, and readings.
We’ll also have a number of virtual outreach programs with community partners
from all around Ohio leading up to the main event.
110 Ohio authors and illustrators will be featured in the festival’s virtual programs. See the full list below. We’re sure you’ll see some of your favorites in this stellar lineup!
In the coming weeks, we’ll be adding more festival news and
information on our website, blog, newsletter, and social media—be sure to check
them often! And don’t forget to mark your calendars now for April 29-May 1. We’ll
see you online as we celebrate 16 years of the Ohioana Book Festival!
The Ohioana Library has been giving awards to recognize outstanding literary achievement since 1942. But 2021’s event was truly special as we virtually celebrated the awards’ 80th anniversary!
Ohioana’s Executive Director, David Weaver, served as master of ceremonies, with help from Ohioana board members and representatives of sponsors who introduced the award winners.
The award ceremony began with the presentation of the 2021 Walter Rumsey Marvin Grant to Hagan Faye Whiteleather. A competitive award for an emerging Ohio writer aged 30 or younger who has not yet published a book, the Marvin Grant has helped launch the careers of many successful authors, a number of whom have returned later as book award winners.
The presentation of the Ohioana Book Awards followed:
Readers’ Choice: Tiffany McDaniel, Betty
About Ohio or an Ohioan: Carole M. Genshaft, ed., Raggin’ On
Nonfiction: Aimee Nezhukumatathil, World of Wonders
Fiction: Carter Sickels, The Prettiest Star
Poetry: Marianne Chan, All Heathens
Juvenile Literature: Thrity Umrigar, Sugar in Milk
Middle Grade/Young Adult Literature: Jacqueline Woodson, Before the Ever After
After the ceremony, Dan Shellenbarger, head of the Ohio Channel and creator and host of their discussion program, Book Notes, moderated an authors’ roundtable with the winners in which they discussed their creative inspiration and their writing process.
As we did in 2020, we moved the awards ceremony online, due to the recent upsurge of COVID-19 cases. The Ohio Channel, our media partner, streamed the entire program live on Facebook and YouTube to thousands of viewers in Ohio and beyond. If you missed the program, or would like to see it again, here’s the link: https://www.youtube.com/watch?v=CRu542oeE9A.
Copies of all of this year’s winning titles are available from our official bookseller, the Book Loft of German Village, at www.bookloft.com.
While we missed celebrating in person with authors and attendees, the virtual awards event was nonetheless a great success. Our thanks to everyone who made it so—sponsors, partners, presenters, and the Ohioana board and staff. And of course, all of this year’s award winners— congratulations once again!
Hopefully, we’ll be back live and in person next October at the Ohio Statehouse. We’d love to have you join us as we celebrate the 2022 Ohioana Book Awards!
The Ohioana Library Association is excited to announce that its Ohio Literary Trail has expanded with the addition of seven new sites honoring Ohio literary greats.
Introduced in 2020, the Ohio Literary Trail connects
readers and Ohio writers and shines the spotlight on Ohio’s unique role in
shaping culture and literature worldwide.
Among the notable Ohioans honored with new sites are
the first Black woman to win the Nobel Prize in Literature, the journalist and
travel writer who introduced the world to “Lawrence of Arabia,” the greatest
female humorist of the past 60 years, a science fiction writer and screenwriter
who wrote the
script for The Empire Strikes Back, and the Union general who won the
Civil War and penned the most acclaimed memoir of any American President.
Criteria for inclusion on the Trail includes
nonliving people or places that illustrate Ohio’s contributions to the literary
landscape or literature nationally or internationally. The sites are physical
places tourists can visit year-round and share information to educate a
visitor, such as museums, permanent library displays, historical homes, and
Ohio Historical Markers. There are more than 1,800 markers across the state,
administered by the Ohio History Connection, Ohio’s statewide history organization,
including more than 50 literary themed markers on the trail.
The new additions to the Ohio Literary Trail
Northeast Ohio Region: Lorain County, Lorain
Historical Society Carnegie Center, 329 W. 10th St. Toni Morrison Historical Marker. The trail’s newest site,
dedicated August 12, 2021 and sponsored by Ohioana with the Lorain Historical Society,
Ohio History Connection, Lorain YWCA, and Alpha Kappa Alpha Sorority, this
marker honors Ohio’s most acclaimed author. Morrison, winner of many awards
including the Nobel Prize, was born in Lorain in 1931 and died in August 2019.
The Carnegie Center is the former Lorain Public Library where Morrison worked
as a youth.
Ohio Region: Cuyahoga County, next to the Columbus Road Bridge or at the corner of
Columbus Rd. and Merwin Ave. Hart Crane Memorial Park features a tribute sculpture by Ohio artist
Gene Kangas honoring American poet Hart Crane (1899-1932), who is considered
one of the greatest poets of the 20th century. The Park is stewarded by
Northeast Ohio Region: Trumbull County, Kinsman
Square at 6086 Ohio 5 in Kinsman. Kinsman/Leigh Brackett Historical Marker. Born in California, Brackett moved
to Kinsman with her husband and lived there about 20 years. The science fiction
writer who perfected the subgenre of “space opera” in her writings was
nominated for a Hugo Award for The Long Tomorrow (1955). As a screenwriter,
she wrote the script for The Empire Strikes Back/Star Wars II.
Region: Montgomery County, University of Dayton campus, Zehler Dr. on the north
side of St. Mary’s Hall. Erma Bombeck Historical Marker is on the campus where the celebrated columnist and author graduated in 1949. She went
on to become a household name in the 1970s and ‘80s. For more information visit
Southwest Ohio Region: Clermont County, Point Pleasant and Brown
County, Georgetown. Two-term 18th
President of the United States and victorious military commander of the Union
S. Grant, worked tirelessly to complete his autobiographical manuscript
before his death. It became one of the most acclaimed memoirs of the 19th
century, Personal Memoirs of
U.S. Grant. Several Ohio
sites offer a glimpse into his life: U.S. Grant
Birthplace (1551 State Route 232 in Point Pleasant) and
(219 E. Grant Ave. in Georgetown) and Schoolhouse
(508 S. Water St. in Georgetown).
Ohio Region: Darke County, Garst Museum at 205 North Broadway in
Greenville. Lowell Thomas’ 1880s restored Victorian Gothic style-home and the
museum collection honor the TV and Cinerama producer and
author of some 60 books, who flew around the world more than 30 times. His adventures
included traveling with T.E. Lawrence, which led to Thomas’ book Lawrence in
Arabia, and the movie Lawrence of Arabia.
Southeast Ohio Region: Jefferson County, 407 S. 4th
St., Steubenville. Andrew Carnegie (1835-1919) and the Carnegie Library of
Steubenville Historical Marker in
front of the Public Library of Steubenville and Jefferson County honors Ohio’s
first Carnegie Library, which was approved for funding in June 1899.
First given in 1942, the Ohioana Book Awards are the second oldest, and among the most prestigious, state literary prizes in the nation. Nearly every major writer from Ohio in the past 80 years has been honored, from James Thurber to Toni Morrison.
Six of the Ohioana Award winners, as well as the Marvin Grant recipient, were selected by juries. The Readers’ Choice Award was determined by voters in a public online poll. Nearly 4,000 votes were cast for this year’s Readers’ Choice Award.
Listed below are the 2021 Ohioana Book Award winners. Click on the title to learn more about the author and their winning book.
Named for Ohioana’s second director, the Walter Rumsey Marvin Grant is awarded to an Ohio writer age 30 or younger who has not yet published a book. The 2021 Marvin Grant winner is Hagan Faye Whiteleather. A writer, editor, and professor based in Northeast Ohio, Hagan Faye studied English and Psychology at Kent State University and holds an MFA in Creative Writing & Environment with a Teaching Excellence degree distinction from Iowa State University. During her education she served as Editor-in-Chief of KSU’s literary arts journal, Luna Negra, and as Nonfiction Editor for ISU’s Flyway: Journal of Writing & Environment. Her in-progress memoir, Tangled in the Roots, explores the grounds and graves of Moultrie Chapel Cemetery, familial ties, parental loss, and the experience of providing end-of-life care. When she isn’t reading, writing, or out walking, she’s teaching creative and critical writing at her alma mater, Kent State. Her winning entry will appear in this fall’s Ohioana Quarterly.
The 2021 Ohioana Book Awards ceremony will be held on October 14 in the atrium of the Ohio Statehouse (tentatively in-person; please watch our website and social media for any possible changes). More information about the Awards and about purchasing tickets is coming soon. Congratulations to all of this year’s Ohioana Book Award winners!
For the virtual 2021 Ohioana Book Festival, we partnered with illustrator and paper engineer Merrill Rainey to create a fun contest for kids featuring his two books, Color, Cut, Create – Dinosaur World and Horse Ranch. The contest kick-off took place during the virtual festival weekend and included a live discussion and Q&A with Merrill. (There’s still time to join in the fun! Visit https://color-cut-create.com/ for contest registration and all the info on guidelines, important dates, and prizes. And be sure to check out the FREE BOOK GIVEAWAY at the end of this blog post!)
While all the young creators are busy making their submissions, Ohioana’s Office Manager, Kathryn Powers, sat down with Merrill to learn more about his books, art process, and inspirations. We hope you enjoy this special blog interview—and the bonus tips and tricks Merrill shared with us, too, that will help make your contest dioramas and stop-motion videos really shine!
Q) Can you tell
us about these two fun paper engineering books you featured at the 2021 Ohioana
A)I sure can, Kathryn! The Color, Cut, Create book series is what we call “paper engineering made easy!” And what I mean by that is that each book in the series is designed to allow young creators the opportunity to be able to succeed with minimal directions. The idea for the books came from my own personal experiences with and observations of my own children. On the surface, the books appear to be super cool paper toy books about horses and dinosaurs, but below the surface there is an underlying theme present in each book. That theme is creation based on your imagination. My hope is that once each book gets built, it will not only educate the user with some basic knowledge of paper toy construction, but also inspire them to keep creating! These books are just a starting point, or in other words a means of inspiration!
Whenever I speak to young creators
about the Color, Cut, Create series, I always like to leave them with a
final question… Now that you have everything created, what else is missing
to help bring your project to life?
Q) What inspired
you to become an illustrator and paper engineer? Was there a specific book or
artist that sparked your passion?
A) As far as I can remember, I have always loved
art. As a kid, I would spend a lot of time on the weekends crafting with my
mom, and drawing monsters, wizards, and mythical creatures with my brothers.
Most of my drawing skills as a kid started from just tracing my favorite comic
book characters (Teenage Mutant Ninja Turtles, Batman, and Spiderman) until I
was good enough to draw them free-hand.
During high school, I dabbled a lot
with different art mediums, but when I look back at it, I was influenced the
most by impressionistic painters like Monet, Van Gogh, and Matisse.
It wasn’t really until college that a
professor of mine, Doug Goldsmith, introduced me to an author/illustrator by
the name of Chris Van Allsburg. I fell in love with Chris’ use of storytelling,
his technique, the design of his illustrations, his use of color, and how he
used value in his black and white illustrations.
My interest in paper engineering
didn’t come into play until after I had started my first job out of college. I
came across a paper toy artist by the name of Matthew Hawkins (http://matthewmadeart.com). At that time,
Matthew was creating and posting a new downloadable paper toy every week. Each
week I would download and build them, thus beginning my love of paper
engineering. Matthew’s creations inspired me to research more about paper
engineering and eventually, once I felt comfortable enough doing so, I started
designing my own paper toy creations.
Q) That leads
perfectly into our next question! Your paper toys are so detailed, and there is
such a variety of figures and accessories for kids to craft. How do you design
your build-able creations?
A) First, I start with creating a plan in my
notebook. My notebook is where I always jot down ideas and how I think they
will work and function. I create multiple small sketches (called thumbnail
sketches) until I have my idea just right. From there, I take my thumbnail
sketches into a software called Adobe Illustrator. In Adobe Illustrator I
refine my sketch into what is called a die-line. A die-line is a line drawing
of your art that acts kind of like a cookie cutter, but for paper. The die-line
lets me, or a machine, know where to cut out the paper shapes that will
eventually form a paper toy.
From there I keep making prototypes
until it’s just right. Sometimes it can take multiple iterations just to figure
how to make one toy work.
There are three things that I always
like to mention to young builders that I keep in mind when creating paper toys.
These are Creativity, Ingenuity, and Stability.
1.Creativity: What ideas do you have?
This is your brainstorming stage. This stage has no limits. It’s your
opportunity to come up with the coolest toy ever.
2.Ingenuity: Once you have all of your
creative ideas formed, now you need to figure out the best way possible to
3.Stability: One of my biggest pet
peeves as a kid was having a toy that couldn’t stand up on its own. So, I
always like to emphasize how important it is for future toy makers that
whatever you create, it has to be balanced enough to keep from falling over
when you set the toy down.
Q) That was
always a pet peeve in our household, too—no one wants a toy or figure that
falls over or has to be constantly propped up! Now that we know how your books
and paper toys are designed, let’s talk about the contest assignment. As a
reminder for readers, kids 5-8 will be creating and photographing a diorama of
their dinos or horses from Color, Cut, Create, and kids 8-12 will be making
a stop-motion video. Can you give us any tips or tricks to make an
extra-awesome diorama or animation for the contest?
A) Three things that I touched on in our kick-off
video that I really think can help your project be extra, extra awesome are:
1. Using interesting props and background
objects (trees, bushes, clouds, ground cover, extra animals, character
costumes, etc.). These can really give your audience a sense of place
(setting), and what your story might be about. These visual clues are such an
important part of storytelling. As an example . . . what if your Dinosaur
jungle includes skyscraper buildings that are tucked in between the trees? What
would adding those large buildings tell your viewer about this particular
2. Lighting is another great tool for
storytelling. If you place a light close to an object you’ll get an elongated
shadow, or if you have the light high above an object you will get a smaller
shadow. The length of shadows can really tell what time of day it is, or add
some extra drama to your project. For example, elongated shadows usually
indicate sunrise or sunset. Most people see sunsets as a goodbye scene as it
indicates the end of the day. So, envision that your best dino friend is moving
away and the sun is setting in the background. Similarly, people will see
sunrise as the start to a new day. Envision the sun rising as your horses start
out on a new journey. Smaller shadows usually indicate midday, as the sun is
higher in the sky. Most people will agree that the sun is the hottest when it
is the highest in the sky, so the phrase high noon comes to mind. This
particular lighting technique is great for indicating a hot day. Maybe your
dinos and horses are crossing a hot dessert (maybe a wasteland) and there is no
water in sight. The sun would be high in the sky beating down on them. Or maybe
it’s a hot summer day, again the sun is high in the sky, but this time your
horse’s or dino’s ice cream is melting. I bet they can’t wait till sunset, when
the temperature will be just a little bit cooler and they can finally enjoy
their ice cream without it melting!
3. Whether you are animating or not, the use of
camera angles is such a great way to add visual interest to your projects. If
you are animating, camera angles can help with the pacing of a story. A simple
close-up of a character placed between your bird’s eye view scenes can really
enhance your project. You can re-watch the contest kick-off video for camera
One last thing that I think is
important when taking a photo or shooting a stop-motion animation is the use of
a tripod or easel (or maybe even a stack of books) to create a stable base or
stand of some sort for your camera or tablet. Having a steady hand when
photographing is not always an easy thing to do, but having a tripod or some
kind of camera support will give your device extra stability. Having a stable
device will help your photographs look less blurry, and your stop motion
animation will appear smoother.
Q) Any other
advice for the contest participants?
A) Let your imagination run wild with this
project! There are limitless possibilities of ideas and things you can create
based on each of these books. But before you do anything, be sure to make a
plan. And if you need help with figuring out how to build or animate something,
just ask a sibling, friend, parent, or another family member if they can help.
I guarantee that once they see what you are working on, they will want to join
in on all of the fun!
Seeing some of the contest entries
in-progress pictures on social media has really inspired me! I can’t wait to
see what each and every one of our young creators come up with! Kathryn, to you
and everyone at the Ohioana Book Festival, THANK YOU for hosting the contest
and inviting me to be a part of this year’s event!
A big thank you to
Merrill for giving us this behind-the-scenes peek into his creative life with
this insightful interview, and for partnering with us to bring young creators this
If you want to join in and have the opportunity to win a FREE copy of either Color, Cut, Create – Dinosaur World or Horse Ranch, please leave a comment on this blog post OR comment on and retweet our contest Twitter post by midnight (Eastern time) on 5/27/2021. Good luck!
We CAN’T WAIT to
see everyone’s submissions! Happy creating!
The Ohioana Library is pleased to announce the finalists for the 2021 Ohioana Book Awards. First given in 1942, the awards are the second-oldest state literary prizes in the nation and honor outstanding works by Ohio authors and illustrators in five categories: Fiction, Poetry, Juvenile Literature, Middle Grade/Young Adult Literature, and Nonfiction. The sixth category, About Ohio or an Ohioan, may also include books written by non-Ohio authors.
Among the literary honors this year’s finalists have previously received are the National Book Award, the Pulitzer Prize, the Coretta Scott King Book Award, the Newbery Medal, the Kirkus Prize, the Lambda Literary Award, and the Cleveland Arts Prize. Five authors are finalists for their debut books. Six have previously won Ohioana Book Awards and one is a past recipient of Ohioana’s Walter Rumsey Marvin Grant for emerging writers.
Beginning June 1, Ohioana will profile all of the finalists with “30 Books, 30 Days,” a special feature on our social media in which one finalist is highlighted each day. Later in June, Ohioana will launch its sixth Readers’ Choice Award poll, allowing the public to vote online for their favorite book among the finalists.
Winners will be
announced in July. The 80th anniversary Ohioana Awards ceremony will be held at
the Ohio Statehouse in Columbus on Thursday, October 14. The finalists are:
Lee. Yours, Jean, Dzanc Books.
Tiffany. Betty, Alfred A. Knopf.
TaraShea. Beheld, Bloomsbury Publishing.
Connie. The Daughters of Erietown, Penguin Random House.
Carter. The Prettiest Star, Hub City Press.
Downs, Maggie. Braver Than You Think, Counterpoint Press.
Jones, Saeed. How We Fight for Our Lives: A Memoir, Simon & Schuster.
Nezhukumatathil, Aimee. World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments, Milkweed Editions.
Ricca, Brad. Olive the Lionheart: Lost Love, Imperial Spies, and One Woman’s Journey into the Heart of Africa, St. Martin’s Press.
Sutter, Paul M. How to Die in Space: A Journey Through Dangerous Astrophysical Phenomena, Pegasus Books.
Ohio or an Ohioan
Backderf, Derf. Kent State: Four Dead in Ohio, Abrams Books.
Genshaft, Carole, ed. Raggin’ On: The Art of Aminah Brenda Lynn Robinson’s House and Journals, Ohio University Press.
Giffels, David. Barnstorming Ohio to Understand America, Hachette Books.
Goldbach, Eliese Colette. Rust: A Memoir of Steel and Grit, Flatiron Books.
Heyman, Stephen. The Planter of Modern Life: Louis Bromfield and the Seeds of a Food Revolution, W. W. Norton & Company.
Black, Ali. If It Heals at All, Jacar Press.
Chan, Marianne. All Heathens, Sarabande Books.
Gay, Ross. Be Holding: A Poem, University of Pittsburgh Press.
Lambert, Paula J. How to See the World (Harmony), Bottom Dog Press.
Majmudar, Amit. What He Did in Solitary: Poems, Alfred A. Knopf.
Hubbard, Rita Lorraine. Illus. by Oge Mora. The Oldest Student: How Mary Walker Learned to Read, Schwartz & Wade.
Metcalf, Lindsay H., Keila V. Dawson, and Jeanette Bradley, eds. Illus. by Jeannette Bradley. No Voice Too Small, Charlesbridge Publishing.
Muth, Jon J. Addy’s Cup
of Sugar: Based on a Buddhist Story of Healing, Scholastic.
Rex, Adam. On Account
of the Gum, Chronicle Books.
Umrigar, Thrity. Illus. by Khoa Le. Sugar in Milk, Running Press Kids.
Grade/Young Adult Literature
Creech, Sharon. One
Pearsall, Shelley. Things
Seen from Above, Alfred A. Knopf Books for Young Readers.
Reynolds, Justin A. Early
Departures, Katherine Tegen Books.
Taylor, Mildred D. All
the Days Past, All the Days to Come, Viking Books.
Jacqueline. Before the Ever After, Nancy Paulsen Books.
Ohioana is excited to welcome author Sophia R. Klein as part of the Ohioana Book Festival this year. Sophia is our youngest-ever festival author, at just fourteen years old. She was motivated to write and illustrate her book, Turtle Tide, by her love of marine life. Her fascination with the sea began at the age of seven when she watched the Dolphin Tale films and learned the inspirational stories of the dolphins, Winter and Hope. She has since journeyed each summer to Clearwater Marine Aquarium in Florida to attend camps to learn about marine life and aspires to make working on the preservation of marine life part of her future.
Q: Sophia, there aren’t many people
who can say they’ve written and illustrated their own book, especially at the
young age of fourteen! How did the book come to be?
Sophia Klein: This originally started from my Gifted English class in 2020. We had a CCP assignment where we had two to three months to come up with a project that would have an end product. I wanted to incorporate my art into the project while still doing something I’ve never accomplished before. That’s when I decided to do a children’s book. I did ten illustrations within the hundred-page book and could have done more, but I was on a timeline. Plus, I love reading all genres of books and wanted to see what I could do when coming up with my own story.
Q: Turtle Tide is an inspirational story about a young sea turtle. How
did you come up with the story?
SK: My little brother, who is now eight, was the main inspiration for my book. About seven years ago, my fascination with dolphins and other marine animals began, and after that, my brother fell in love with sea turtles. Green sea turtles were his favorite, ergo Tide the green sea turtle became the main character. Even one of the humans (or “no-fins” as Tide calls them) is named Caleb, after my brother. The book’s events, such as Tide’s rescue or the other turtles he meets later in the story, are based on real life turtles, dolphins, and other resident animals at Clearwater Marine Aquarium, a rescue facility near Tampa Florida, and home of the Dolphin Tale movies. They currently have eleven residential turtles and many of their life stories are incorporated into the character’s life story.
Q: Have you always been an
illustrator? Tell us a little about your illustration process.
SK: As long as I could ever remember, I loved drawing and art in any form, my main focus in my own art being marine animals. My process for drawing any animal usually starts with studying an animal’s anatomy and skeletal structure to make any of the animal’s poses and proportions look natural and realistic. Then with Turtle Tide being a children’s book, I sometimes pushed proportions such as turtle shells and eyes to give the characters an animated look. I had limited time for the illustrations, so I would sketch the characters in pencil on paper then scan it into an art program to color in so it could look more professional.
Q: Your biography says you would
like to continue to study marine life – do you intend to become a marine
biologist? Do you think we will see more adventures of Tide and his friends
SK: I am currently hoping to take on a career as a marine animal veterinarian. I felt that this book would help express my interests in marine biology, as everything (except for talking turtles) is based on fact. At the moment I have no plans for any sequel to Turtle Tide, but I am currently working on a new writing project. This does not mean it’s impossible for me to make a sequel in the future, but it is just not something I am working on at the moment.
Q: What would you say to other kids
who might want to write a book someday?
SK: As one of the youngest authors to get to participate in the Ohioana Book Festival, I hope for that to be an inspiration for any young artists and writers that they can express their ideas and stories as well.
Thank you to Sophia R. Klein for this interview. You can buy Sophia’s book, Turtle Tide, at www.bookloft.com . Check out our “Author Content” page for more about Sophia (page coming April 22 at 7pm), and enjoy the rest of the 2021 Ohioana Book Festival, this weekend, April 22 – April 25.
Stepping into an exhibit of Aminah Brenda Lynn Robinson’s
work is like visiting a multi-layered landscape of colors and textures. Her art
is a combination of 2D and 3D pieces that include paint, writing, textiles and
everyday objects such as beads and buttons – sometimes, all of these at once. Robinson
was born in 1940 in the community of Poindexter Village, in which she spent the
first 17 years of her life and would hold close to her heart forever. She
attended the Columbus College of Art and Design, the Ohio State University,
Franklin University and Columbus’ Bliss College. She would go on to travel
extensively, receive the 2003 Ohioana Career Medal for her paintings, drawings
and sculpture and win a MacArthur Award in 2004. Robinson was skilled in
creating a visual experience that blends the senses to give the viewer a window
into her own personal world.
The Columbus Museum of Art was cherished by Robinson and has
long been one of the most avid collectors of her work. When she passed away in
2015, she bequeathed almost her entire estate to the museum, including her
house in East Columbus. CMA immediately began efforts to use the new collection
to spotlight Robinson’s work in detail. After more than five years of
preparation, CMA debuted Raggin’ On: The Art of Aminah Brenda Lynn
Robinson’s House and Journals in November of 2020, the first major exhibit on
Robinson since her death. Alongside the exhibit, CMA completed a full
renovation of Robinson’s home, preserving and honoring it as a place of
creative freedom by adapting it into a fully-functional artist residence where
artists can live, study and work. A companion book edited by CMA curator Carole
Genshaft was released to accompany the exhibit and includes more than 200 full
color illustrations of Aminah’s work and journals, as well as essays by her
friends, family and fellow artists. Genshaft will be attending the 2021 Ohioana
Book Festival with Raggin’ On; her prior book, Aminah’s World,
was a 2019 Ohioana Award finalist.
The inclusion of Aminah’s journals illustrates that she was
a master of the literary arts as well as the visual arts. The book, the exhibit,
and Aminah’s newly-renovated home (which includes a “Writing Room” on the top
floor) serve to celebrate every aspect of her artistry, including her writing.
The preservation of Aminah’s estate, the exhibition of her work, and all
further projects taken on in relation to Aminah are collectively known as the
Aminah Brenda Lynn Robinson Legacy Project (ABLR Legacy Project). These projects
represent a monumental amount of effort and care dedicated to helping Aminah’s
work find new audiences.
February 18, 2021, marks what would have been Aminah’s 81st birthday. As she completed travels around the world to Africa, New York City, Sapelo Island, Georgia, Israel and Chile, she carried “the spirit of Home” with her wherever she went and maintained Columbus as her permanent residence. In each new place Aminah visited, she picked up techniques and experiences that would inform and shape her art. Much of her work is in fact based on her experiences in the various neighborhoods of Columbus, lovingly brought to life in murals, quilts and illustrations. “My work and life are about Columbus, Ohio…the community, ancestors, and spirits,” Robinson once told the Cincinnati Enquirer.
The passing of Toni
Morrison in August 2019 at the age of 88 opened a floodgate of tributes from
around the world. The native of Lorain, Ohio, had climbed heights no other
American writer of the past half-century had achieved, winning every major
award from the Pulitzer Prize to the Presidential Medal of Freedom and, in
1993, the Nobel Prize for Literature.
This month marks a
milestone in Morrison’s life and career. It was 50 years ago, in November 1970,
when her first novel, The Bluest Eye,
was published by Holt, Rinehart & Winston. At the time, Morrison was
working as a textbook editor for L.W. Singer. Because she was a relatively
unknown writer, the initial print run in hardcover was only 2,000 copies. But
it brought her acclaim, which would continue to grow with her second novel, Sula (for which Morrison won her first
literary prize – the Ohioana Book Award in fiction), and her third, Song of Solomon, which solidified her
position as one of America’s greatest writers.
With controversial themes that include incest and rape, The Bluest Eye has often been challenged as high school reading material and has appeared several times among the list of titles most frequently banned. But in the 50 years since its publication, it has become a classic.
For those not familiar with the novel, Chiquita Mullins-Lee, herself an award-winning poet and playwright, as well as the Arts Learning Coordinator for the Ohio Arts Council, offers this summary:
“The Bluest Eye presents a treatise on
slavery’s legacy of self-loathing and self-rejection. Toni Morrison channels
the generational trauma of a little black girl who internalizes societal norms
that devalue her looks, culture, and very existence. In Pecola Breedlove’s world,
Black value and Black beauty are non-entities. From a deeply broken spirit,
Pecola identifies the prize: blues eyes promise entry into a place that
privileges white skin and tolerates the physical features of a “high yellow
dream child.” In possession of neither blue eyes nor light skin, Pecola
languishes in a world that fails to affirm her. That same destruction of the
spirit is revealed in the pathology of her father, Cholly Breedlove, who
exemplifies one who has received and transmitted a lethal legacy that fractured
families. Ironically, the acquisition of blue eyes could be only a superficial,
as well as impossible, fix. Toni Morrison assigns Black folks the
responsibility to cherish our children, love ourselves, and heal our spirits
In 1988, the year Morrison
won the Pulitzer Prize for her most acclaimed novel, Beloved, and also received the Ohioana Career Medal, she did an
interview with Thames Television on the subject “Why I Wrote The Bluest Eye,” which you can watch on YouTube:
One of the fascinating aspects of Morrison’s writing was her meticulous care and attention to detail. In an article for The Paris Review, she wrote:
We began to talk about little rituals that one goes through before beginning to write. I, at first, thought I didn’t have a ritual, but then I remembered that I always get up and make a cup of coffee while it is still dark—it must be dark—and then I drink the coffee and watch the light come. And she said, Well, that’s a ritual. And I realized that for me this ritual comprises my preparation to enter a space that I can only call nonsecular . . . Writers all devise ways to approach that place where they expect to make the contact, where they become the conduit, or where they engage in this mysterious process. For me, light is the signal in the transition. It’s not being in the light, it’s being there before it arrives. It enables me, in some sense.
Ohioana board member Dionne Custer Edwards, who is also a poet and Director of Learning and Public Practice at the Wexner Center for the Arts, spoke on the impact Morrison’s words had on her:
“As a mother of three, I too often think about
rituals of making inside of the demands of work and life. About how to shape
lines, images, narratives, and texture—especially in these days—in the
midst of a societal crisis, or two or three. I think about pursuing language in
an enduring moment where living is a pattern of abundant isolation from breath,
sound, movement, people. I think about life as it once was and grieve it with
dignity and a few fresh notes of comfort when I am reminded by the sky that I
am still breathing even as I consider the enduring length of suffering. I think
about time. About how I have often captured the practice of writing in the
draft along the wood floors between deep quiet in the house and the folds of
I remember meeting Toni Morrison while I was an undergraduate student at Ohio State University. I will never forget how she stayed with a small group of us after her public talk. How she advised, encouraged, held us in a moment of wisdom, comfort, and candor. How she shared ideas about writing and how to make use of hours and space. Back then, I was an English major trying to figure out what to do with my words. So grateful to have lived during a time when Toni Morrison wrote about the complexities of Black lives as real and imagined experiences in literature. ”
The complexities of Black lives as real and imagined experiences in literature that began 50 years ago with The Bluest Eye.
With special thanks to Chiquita Mullins Lee
and Dionne Custer Edwards.